VINTAGE BOOK FROM 1986 : "I Hate School"

I HATE SCHOOL : How to hang in & when to drop out
by Claudine G. Wirths & Mary Bowman-Kruhm
Illustrations by Patti Stren

     One of my fellow library technicians sent this to me. It was a result of one of her weeding frenzies, ditching obsolete materials. This is from 1986, and "school" was a pretty different animal then than it is now.
     I like how the subtitle, "How to hang in & when to drop out" indicates that dropping out might be a valid option for you. Maybe if you're, like, SUPER fucked-up, they advise you to go ahead and quietly drop out. Ride the rails as a hobo, maybe.
     Either my friend only sent me the dust jacket, or I lost the book itself, because all I have is this dust jacket and many questions about the dropping out option. Should I have dropped out? I really REALLY hated school. What if I chose poorly by deciding to "hang in?" Shit.
   

WONDERCON 2014, ANAHEIM CA!

     I'll be at WonderCon with my comics/graphic novels/Glitter Gaybies/Smells Like Library!
     On Saturday I'll be signing at the Prism Comics booth from 1pm-2pm. (Also probably on Sunday after the panel discussion)
     On Sunday I'll be on a panel discussion, and here are the details:
We're Here, We're Queer, Now What? - New Direction in LGBTQ Comics
Sunday, 4/20/14, 11:30a.m. - 12:30p.m.
Room: 210A
More lesbian, gay, bisexual and transgender characters are making their mark on all corners of the comics world than ever before.   How do LGBTQ comics creators push the boundaries in a world where acceptance is more the norm?  Join creators Tommy Kovac (Skelebunnies, The Royal Historian of Oz), Ed Luce (Wuvable Oaf), Josh Trujillo (Love Machines, Anything That Loves), Shayna Why (Overshare Party) and others to be announced as they explore new directions and neglected subjects in LGBTQ-themed comics, how technology is changing the way people relate to each other and new methods of publishing comics.  Presented by Prism Comics and moderated by Roger Klorese (Board Member, Prism Comics).

     Spoiler alert: I have no idea what the new direction is for LGBTQ comics. North?

HELP ME, TYLER DURDEN-- YOU'RE MY ONLY HOPE

-or-
THE POWER OF FICTION

     There's an 11th grade girl who frequents the library. She's very quiet, but interesting and quirky. She's a huge fan of Chuck Palahniuk, particularly FIGHT CLUB. She's so ensorcelled by that novel, she has three copies of it; two in English, one in Korean. We'll refer to her as "Fight Girl" from this point onward.
     Fight Girl says she doesn't like "YA fiction," because she can't identify with the protagonists, usually. For some reason, she TOTALLY identifies with Palahniuk's narrative voice, and that connection is clearly very important to her. This makes me like Fight Girl. It's unexpected and atypical.
     When I asked her what it was about the narrator in FIGHT CLUB, she said something to the effect of, "Well, he's a white collar/cubicle worker, and he's frustrated, and pretty much hates everything."
I drew this a few years ago, but it seems appropriate
     She also likes the gay subtext, and the fact that Palahniuk himself is gay. The concept of "the outsider" seems to resonate with her. Which is cool.
     Fight Girl is like a prickly 17 year-old porcupine, sitting there in the library with a book obscuring her face, framed by her long black hair. I think she's read almost every Palahniuk book, now. She also likes Kurt Vonnegut (CAT'S CRADLE), and James Baldwin (NATIVE SON, GO TELL IT ON THE MOUNTAIN, etc).
     Her mother read FIGHT CLUB, and even watched the movie with her, but still has a hard time understanding the significance. Her mother told her father, "You better read this book if you want to understand your daughter." Apparently Dad only got a few pages in, threw the book down, and said, "Why do you like this?"
     She's also worried about her grades, even though they're good. I think she's under a lot of pressure to constantly excel, and she's undoubtedly getting pressure about college and career choices. I told her there's so much more to life than high school. She said, "I know. I keep trying to remind myself of that. Even though people like my mom try to convince me that everything about high school is SO IMPORTANT, and will affect your whole life." (I'm paraphrasing, but that was the gist)
     Fight Girl says she's having a crappy year in general, and it seems to me that having found Palahniuk, she's clinging to his work like a life raft. Which is exactly how I felt about Anne Rice's books when I discovered them at age 17. Louis, the narrator of INTERVIEW WITH THE VAMPIRE, was absolutely real to me, even though I knew he was fictional. His voice spoke to me in a way that no one else's did, when I needed it most.
     That's why books are important. Especially fiction.
     Fight Girl told me that she was called up to the Counseling Office, because one of her teachers said it seemed like something was wrong. This was very irritating to Fight Girl, and she wanted to know which teacher said that. The counselors did not divulge this info, or Fight Girl might have gone all Tyler Durden on his/her ass. I get the impression she did NOT open up to the counselor about anything.
     I have my eye on Fight Girl, and I want her to know that I'm a sympathetic ear if she needs it. When I look at her it's like seeing a reflection of my own high school psyche. I'd be even more concerned if she didn't have Palahniuk, Vonnegut, and other nihilists on her side. Friendly voices saying, "Yeah, man, fuck ALL of this."
     If you've never carried a book around with you like a secret talisman, and re-read it over and over again, then you might not understand.
     Have you ever carried a book around with you everywhere like a secret talisman, and read it over and over again? Have you ever felt like a fictional character understood you better than anyone in real life?

     Yesterday I came up with some reading suggestions, one of them being GEEK LOVE by Katherine Dunn. I told Fight Girl I'd read that it's one of Palahniuk's own favorite novels. I got it off the shelf and handed it to her. She smiled and thanked me.
     A few minutes later she rejected it. I noticed her silently returning the book to its place on the shelf. She left without a glance or a word.
     I'd expect no less from a complicated, atypical deep thinker. It's not that easy.